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Reading this book was like having an echo of a conversation with my husband's grandfather. Dziadek could be Vladek's twin brother if any of Vladek's poor family had survived the war.

This book's most horrifying moment came, for me, at the loss of their two year old son, Richeu. I tried to imagine a world where my decision to keep my son with me and hope for a better future, cost him his life and considered how I would live with that for the rest of my life.

I don't have the answer to that. All I k Reading this book was like having an echo of a conversation with my husband's grandfather. All I know is that my son got away with a helluva lot more bad behaviour that day then he normally would.

I have no commentary to make on the war, the holocaust, the devestation or destruction because I have nothing intelligent or worthwhile to add other than the recognition that the crimes committed there were truly horrifying and disgusting.

Though I hardly want to consider the type of human being I would be if I didn't feel that way. The book is a story within a story.

Art shows himself interviewing his father, Vladek, and his time spent with his father for part of this book, and the rest of the story is Vladek's experiences and survival of Auschwitz and how he survived throughout all of the invasion of Poland by Germany and the Nazis.

Both sides shown in this felt completely honest and real. The art, while definitely not my favorite style, worked incredibly well for this story.

There were times where it was just the art in panels, and I really felt like those were some of the stronger panels. The art was black and white, thick lines, and just overall felt really heavy.

Most of the time, the panels felt really cramped, but I have a feeling this was intentional. There were times where the sentence structures were just a little off, and I could hear Vladek's voice so strongly during those times.

It just really added another depth to this book. All the pain and loss that he went through at the hands of the Nazis was extremely haunting to read about.

Recomendo Maus a todos os leitores. Art Spiegelman warns of 'dangerous' outcome as Russian shops ban Maus This has been on my wishlist forever -looks like this is a good time to read it.

If you missed 12 teeth they let you go. Mar 05, Nickolas the Kid rated it it was amazing Shelves: View all 6 comments. One of the most influential literary works ever View all 4 comments.

Sep 10, Michelle rated it it was amazing Recommends it for: I'm cheating on J. Coetzee with Art Spiegelman. Actually, I'm not just cheating on him; I've left him.

Before I review this book, you should know something about me: I never read graphic novels. Are those the same thing, by the way?

I have no idea. The basic outline is about a man interviewing his father, a Polish Holocaust survivor, for a book he is writing.

The Jews are depicted as mice; the Nazis cats. There were so many layers to these books. Because of this, I often found myself alternating between both laughter and tears.

I adored Vladek and all of his quirks, but I also understood how difficult it must have been for Spiegelman to grow up with such a father.

His writing showed his annoyance, anger, guilt, and his love. View all 20 comments. Jun 02, Praj rated it it was amazing Shelves: Where should I commence to appraise this book?

Art Spiegelman in this astounding graphic novel reveals a fractured father-son relationship whilst focusing on the perils of the Holocaust.

Written over a period of thirteen years, MAUS comprises of two volumes. Young and vivacious Vladek is into the textile business who after having a torrid affair with Lucia ends up marrying a much wealthier Anja Zylberberg.

Over the years Vladek is drafted into the Polish army where he endures severe anguish as a prisoner of war, captured by the Nazis. After his release when he heads back home to see his infant son Richieu, the family is forced into hiding as the Nazis started to hound the Jews.

Finally, the prisoners are freed leading to the collapse of the Germans; however Vladek undergoes a tedious journey to Sosnowiec to be reunited with Anja.

Vladek on the other hand, still relives the horror of the Holocaust in his trivial arguments with Mala or his reminiscing of the war.

A victim of any kind faces a genuine struggle to find acceptance and understanding in the aftermath life. Similarly, Vladek wished he could have found an undying bond with Art in all his solitary being.

MAUS is not a run of the mill comic; it is incorporation of the unspoken sentiments and assumed fallacies. And survival is never taken for granted—it happened when luck and hard work combined to keep people alive.

The Canadian veterans that I know are in their 80s and 90s, so holocaust survivors will be in the same age range and probably experiencing health problems relating back to war time conditions.

This graphic novel format makes this history accessible to a new generation in a form that they can appreciate.

I am of two minds regarding the depictions of various nationalities as animals, Jews as mice, Germans as cats, Poles as pigs, etc.

On one hand, it insulates us a little bit from the harrowing history that is being related. We can feel a bit of a remove that makes it easier to read.

But I can help wondering if that is a good thing? I also a bit bothered by the nationalities being represented by completely different species.

After all, we are all one species and if one nationality is capable of genocide, every nationality is capable of it. It became obvious very early in the narrative that survival itself had not made his father a happy man.

Instead, he seemed to become deeply suspicious, rigid in his ideas, selfish, and generally unpleasant. The suicide of his wife who suffered from mental illness before the war may have solidified him into this barricaded position, to which he cannot admit his second wife or even his son.

How many generations will it take to remove this psychic damage from families of holocaust survivors? Spiegelman is brave to expose his struggles to help, accept, and love his father—he is loaded with guilt for not having been present during the worst years, for being the child that survived, for disliking his father, for not being able to provide the unconditional support that his father seems to expect.

Smaller versions of this play out in many families I watched my father struggle with miniature versions of these same issues , so in many ways this is a universal story.

A valuable study in human nature and family relationships as well as recent history. Sep 19, Rebecca rated it it was amazing Shelves: Like Animal Farm , it uses the conceit of various animal associations: Spiegelman draws what, from a distance of decades, his Polish father Vladek narrates about his almost unbelievable series of escapes, including time in Auschwitz.

Spiegelman gives the book an extra dimension by including his recording sessions with his father as a framing story for most chapters. The drawing style is fairly simplistic.

You can see how this paved the way for comic artists like Roz Chast and Alison Bechdel. I know already my story by heart , and even I am interested.

View all 8 comments. Books I read rarely affect my emotions when I'm not reading it. A book can pull me every which way, make me feel horrified or saddened or joyful, but when I put it down, I'm in the same mood I was before I started reading it.

Only occasionally can a book get under my skin, and Maus is one of them. I was actually happy to finish it, because I didn't like the way it was making me feel: And I've read Holocaust stuff before.

Something about the way Spiegelman c Books I read rarely affect my emotions when I'm not reading it.

Something about the way Spiegelman contrasted his day to day life, arguing with his dad, with the horror his dad went through, just got to me.

I would feel irritated with Art's dad and then I'd see what he'd gone through and it kind of just tore me apart. When a book does this to me I have to give it five stars.

As an aside, I wondered throughout the whole book why he chose pigs to represent Polish people. As a person of Polish nationality myself, I was totally mystified about it.

In looking at the Wikipedia article , I see: Spiegelman explained that he chose pigs in good faith because of their resemblance to famous American cartoon characters like Miss Piggy and Porky Pig.

Mar 07, Eirini Proikaki rated it it was amazing. Mar 17, Conejo Literario rated it it was amazing Shelves: Reto 12 libros - 12 meses del grupo Sangre de tinta Noviembre: Definitivamente lo recomiendo a todos Talvez precisem de um Holocausto novo e maior.

Felizmente, de vez em quando, tenho oportunidade de me corrigir. Desta vez foi a minha filha, mais do que com palavras, pelo olhar e pelo tom de voz, que me transmitiu o seu sentir este livro.

O tema do Holocausto nazi perturba-me, comove-me, revolta-me, assusta-me Feb 21, Arnie rated it it was amazing Shelves: When I was a kid I read comic books mostly Superman.

The Maus books are the only graphic novels I've read and I consider them masterpieces Mausterpieces? Like Spiegelman's alter ego, I was a middle class child growing up in Queens NYC , the son of Holocaust survivors and couldn't communicate with my father when I was growing up.

He got it down perfectly. It was spot on and ranks among the best of Holocaust related literature. Aug 04, diegomarcapaginas rated it it was amazing Shelves: Lo mejor sin duda son los flashbacks y la crudeza de la historia.

Apr 10, Mia Nauca rated it it was amazing. Cruda y sentimental a la vez. Oct 01, Sue rated it it was amazing Shelves: This was an amazing read.

This was so good. I've known about it for a long time but somehow never sought it out. Maybe it was a bias against graphic novels?

I'm so glad I finally read it. This is a picture of human strength and frailty, humane and savage behavior, done in a novel way that seems to make it even more immediate and real.

View all 5 comments. Sep 10, Kirk rated it it was amazing Shelves: This was our second book in the local library's discussion of Jewish graphic novels.

It is, of course, the most famous and most celebrated exemplar of the genre if you don't count the superhero stuff.

What is amazing about the book is the emotional resonance Spiegelman manages to pack into his panels. In telling the story of his father's experience in the Holocaust, the author refuses to sentimentalize or pander.

The most striking innovation is the use of mice for Jews, an appropriation of the This was our second book in the local library's discussion of Jewish graphic novels.

The most striking innovation is the use of mice for Jews, an appropriation of the racist anti-Semitism of vermin found throughout German propaganda.

Best of all are the characterizations: Spiegelman depicts himself Artie as ambivalent but committed to his father, while Vladek is aloof, intense, but ultimately heroic for the mere fact of his survival.

A classic, through and through. Apr 09, Stephen Collins rated it it was amazing. I am a cat person so Nazis as cats is very funny.

Constatation camps are not a German invention Hitler get the blame but They are British government from the Boer war Aug 29, Leonel rated it it was amazing.

It differed in many details from the V1 prototype. In mid, the V2 prototype was fitted with a powerplant and the first produced Maus turret.

The V1 prototype was supposed to be fitted with the second produced turret, but this never happened. By July , Krupp was in the process of producing four more Maus hulls, but they were ordered to halt production and scrap these.

Krupp stopped all work on it in August Meanwhile, the V2 prototype started tests in September , fitted with a Daimler-Benz MB diesel engine, [5] new electric steering system and a Skoda Works designed running gear and tracks.

The working Maus prototypes remained at Kummersdorf after being tested at Böblingen. V2 ended at the Hindenburgplatz, in front of the bunker Maybach I, where it was destroyed by placing charges in the engine and fighting compartments.

Because it had ammunition stowed under the turret, it was damaged more extensively than V1, with the turret being more or less intact.

Maus V1 did not reach this area. After the war, the Soviet Commander of Armored and Mechanized troops ordered the hull of V1 to be mated with the turret of V2.

The Soviets used six German FAMO-built 18t German half-tracks , the largest half-track vehicles that Germany built in the war years, to pull the 55 ton turret off the destroyed hull.

When further testing was completed the vehicle was taken over by the Kubinka Tank Museum for storage where it is now on display.

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Redseven maus -

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